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Data Visualisation
DATE: 2025
MEDIUM:
Multimedia
Collaboration with:
Bohao Feng / Banmyong Kim / Nanxing Jiang (John)
Printed in:
London Collage of communication
MEDIUM:
Multimedia
Collaboration with:
Bohao Feng / Banmyong Kim / Nanxing Jiang (John)
Printed in:
London Collage of communication
This project explores how data visualization and narrative design can intersect to reveal ecological patterns. Using the NYC @squirrelcensus dataset,
we focused on visualizing the movement and activity ranges of squirrels in New York City’s Central Park. Our goal was to transform quantitative data into engaging visual patterns and a storyboard that highlights spatial dynamics and hidden rhythms.Through combining analytical insight with creative design, the project aimed to enhance both audience understanding and the emotional connection to the data.
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DATE: 2025
MEDIUM:
Multimedia
Collaboration with:
Qingyang Mao / Xibing Wang / Xiaoxuan Zhu (kristin) / Banmyong Kim
Printed in:
London Collage of communication
MEDIUM:
Multimedia
Collaboration with:
Qingyang Mao / Xibing Wang / Xiaoxuan Zhu (kristin) / Banmyong Kim
Printed in:
London Collage of communication
Through the three-layer mechanism of "instant feedback-emotional resonance-behavior guidance", the abstract carbon emission data is transformed into an "perceptible, participatory and communicable" experience, strengthening the cognition of "personal choices affecting the environment" and promoting sustainable behavior change.
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YUCK? or YUM?
DATE: 2025
MEDIUM:
Multimedia
Collaboration with:
Sara Fiorillo / Sophie Sparkes / Qingyang Mao / Xibing Wang / Banmyong Kim / Nanxing Jiang (John)
Printed in:
London Collage of communication
MEDIUM:
Multimedia
Collaboration with:
Sara Fiorillo / Sophie Sparkes / Qingyang Mao / Xibing Wang / Banmyong Kim / Nanxing Jiang (John)
Printed in:
London Collage of communication
This study examines the sensory and cultural perceptions of eight distinctive food items: Durians,Jellied Eels, nattos, Vegemite, marzipan, blue cheese, Century egg and olives. Through data visulisation design to shows what food can be most controversal, and what food people most like. The results, visualized in the accompanying chart, indicate notable variation in acceptance.
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Typographic Soundscape
DATE: 2025
MEDIUM:
Multimedia
Collaboration with:
Banmyong Kim / Nanxing Jiang (John)
Printed in:
London Collage of communication
The project has also developed into a sound album centred on the sounds of London in the late afternoon, sampling four different areas (Central, Middle, South, East) and translating field-recorded ambient sounds into rhythmic, textural and layered soundscapes. Each track corresponds to an urban area, using the unique sound elements of the area - the celebratory hustle and bustle of Chinatown, the chatter and cycling around the stadium, the spatial reverberations of the War Museum, the winds and breaths of Victoria Park - as the musical source material to create An experimental album combining sound art and data visualisation.
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Birds immigrant roots of Greenwich Park
DATE: 2024
Collaboration with:
Man Luo \ Xinyi Yin (Yvette) \ Banmyong Kim
MEDIUM:
Screen
Printed in
London College of Communication
Collaboration with:
Man Luo \ Xinyi Yin (Yvette) \ Banmyong Kim
MEDIUM:
Screen
Printed in
London College of Communication
Our current modern status quo has led to an era known as the Anthropocene. In this era, we are confronted with a crucial reality: human sovereignty and its impact on the planet have become so pervasive as to threaten our ecosystems and the well-being of non-human life. This era forces us to acknowledge that we can no longer continue to treat nature as an external object to be manipulated at will.
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Rise of the Planet of wind
DATE: 2024
MEDIUM:
Ember Newspaper
Printed in
London College of Communication
Europe has always been a global pioneer in wind power generation. Its abundant wind energy resources and strong pursuit of clean energy have made wind power generation play a significant role in the European energy structure in nowadays.
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Variable Duration
DATE: 2024
Collaboration with:
Man Luo \ Xinyi Yin (Yvette) \ Banmyong Kim
MEDIUM:
Ember Newspaper
Printed in
London College of Communication
In churches, people move in different patterns than in other public places; they may be praying, meditating, listening to a sermon, or simply sitting. We will observe and experience the following behaviors.
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Our Common Key
DATE: 2024
Collaboration with:
Man Luo \ Xinyi Yin (Yvette) \ Banmyong Kim
MEDIUM:
Installation
Printed in
London College of Communication
Collaboration with:
Man Luo \ Xinyi Yin (Yvette) \ Banmyong Kim
MEDIUM:
Installation
Printed in
London College of Communication
By leveraging data visualisation, we recreated the narratives of key historical moments and mapped the trajectories that brought each of our families to the encounters at LCC. This process not only allowed us to delve into the personal and historical significance of our stories but also provided an introduction to the fundamentals of data visualisation. Through this project, we began to understand how storytelling can serve as a powerful tool in data visualisation, effectively weaving complex information into engaging, meaningful narratives.
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Chaotic Mess
DATE: 2023
MEDIUM:
Newspaper
Printed in:
Guangzhou Academy of Fine-arts
MEDIUM:
Newspaper
Printed in:
Guangzhou Academy of Fine-arts
Many people only understand ADHD in children, few people know that adults also have this disorder and have as much difficulty controlling their behaviour as children.
Being in this group, wantedto create a series of motion posters andbook about adults with ADHD, to tell more people what ADHD is like and toeducate them about it through visual representations.
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Canton Lab
DATE: 2022 - 2023
MEDIUM:
App design and motion design
Printed in:
Guangzhou Academy of Fine-arts
Collaboration
with:
This project explores the sustainable future of Cantonese Opera and the Cantonese language, both under cultural and policy threats, by examining their potential integration into the metaverse. It aims to investigate how immersive digital environments can support cultural preservation, intergenerational transmission, and innovative engagement with endangered regional traditions.
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